LEAD SINGER
MARINENSÄULE
Play with focus here?
- ECU + CU of Philipp's feet walking
- MS "I feel real now talking like sugar and shaking that stuff"
- Left Side of Philip MLS with city in view
- Left Side of Philip MS with city in view
- Guitarist then appears in LS with Philipp
- MS on Guitarist
- Philipp singing in MCU with head above free and Guitarrist in LS guitarist then turns and walks backwards
- CU of "Gimme some of that bad stuff", pointing finger backwards
- MCU - MLS of "Gimme some of that bad stuff", pointing finger backwards
- MCU - MLS of “So psycho”, Raise hand and miming stabbing with knife a la Psycho
- intertextual reference to the mime in Lady Gaga's Bad Romance, which is a reference to Psycho which is a simulacrum of a novel which is a simulacrum of a real-life murder
STONES
BEHIND TREE OR BEHIND
FENCE
“I make dead space feel like a head case”
- Bashes head in
- Puts hands on head and waves it about
Dancing like the dance the girl will dance, arms up, hands together and moving
potential for split screen like in HUMBLE?
ELS of guitarist walking through a big space (like in Depeche Mode's I Feel You)
A Pain That I'm Used To vid, 00:46 - 00:48, Guitar in shallow focus, then focus push,
then MCU of guitar player moving his head and focus push to
potential for split screen like in HUMBLE?
GUITARRIST on his own
ELS of guitarist walking through a big space (like in Depeche Mode's I Feel You)
A Pain That I'm Used To vid, 00:46 - 00:48, Guitar in shallow focus, then focus push,
then MCU of guitar player moving his head and focus push to
THE FENCE AT TRIER
SÜD STATION
Health and safety precaution: Best only one performer and shoot very quickly because of cyclists, best have the other performer watch and call out if he/she sees a cyclist
When a train comes by
"Singing I can't get enough"
Without a train:
"Singing I can't get enough"
PLAYING WITH FOCUS
Final verse from 2:44 onwards
Shallow focus like in Depeche Mode's Useless, try out the focus being pushed
Or multiple cuts of shallow and sharp, also with MCU + CU, from 1:48 - 1:52
ELS of guitarist walking through a big space (like in Depeche Mode's I Feel You)
LYING ON GROUND
When a train comes by
"Singing I can't get enough"
Without a train:
"Singing I can't get enough"
PLAYING WITH FOCUS
Final verse from 2:44 onwards
Shallow focus like in Depeche Mode's Useless, try out the focus being pushed
Or multiple cuts of shallow and sharp, also with MCU + CU, from 1:48 - 1:52
GUITARRIST on his own
ELS of guitarist walking through a big space (like in Depeche Mode's I Feel You)
LYING ON GROUND
- HA Lying on the ground (also use it for photo opportunity)
- HA Lying on the ground with guitar being played in the right corner of the screen
- Same, but only the upper part, could he then get up and grab it and use as a microphone, co-ordinate it so guitar doesn't break.
EDITING
Some discontinuity editing, like Martin Gore's guitar in the Useless video (French New Wave influence like in the Sea of Sin video, apply that for the narrative)
Camera tilting down to guitar, repeat that tilt, then have it tilt up to the face again.
Camera tilting down to guitar, repeat that tilt, then have it tilt up to the face again.
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