Monday, 2 April 2018

Sunday, 1 April 2018

Digipak Draft

The majority of the digipak tells a story, of the birth of Sadie, the protagonist I named after a
. Therefore I also called Sadie.

FRONT COVER
This sees Sadie at the discovery of her personality, and pays homage to the eponymous Suede album cover with a look of affection, however here between the protagonist and a book.

This includes:
  • Artist Name
  • Album Title
  • Bonus Details
  • Parental Advisory Sticker




REAR COVER
A much more direct and clearer intertextualising of Suede's second debut album. This sees Sadie near the beginning still in her normal human form before getting the make-up.
  • Track listing (without numbering and lengths to give a more fictional illusion)
  • URL link to website
  • URL link to Facebook, Twitter and Instagram accounts
  • URL link to fan Facebook account, The Insatiable Ones,
  • Record Label Logo
  • Barcode with Catalogue Number
  • Copyright text ending with the Catalogue Number
  • Credits to photographer and designer of album artwork




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SPINE

  • Record Label Logo
  • Artist Name
  • Album Title
  • Catalogue Number





INNER PANELS
This is the actual creation of Sadie, with the character of The Clownmaster coming in giving her make-up.




For the second part of the panel I created three images of the band, because I couldn't decide between them, I decided that there would be two different versions of the digipak, and it would be random chance which second inner sleeve a fan would get.

Purely black and white filter

Orange Dark Black Filter:



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MUSICVID: Final Rough Cut

With a vast amount more of layering, quick split-second cross-cutting edited to the beat of the track and a transition from black + white to colour.



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Suede's Revenue

From an Information Is Beautiful statistics model calculate how much Suede make:
(note the image is updated lively and so will change from the figures below)
There is obviously a huge difference between signed and unsigned artists, Suede belonging to the former, first at pseudo-indie label Nude Records and now under major label Warner Music UK, but just under distribution, they still see themselves as indie rock artists aesthetically (which can be seen especially with the themes of their most recent album)

GOOGLEPLAY
You need 172,206 plays per month


...

SPOTIFY
You need just over 1 million plays per month
This is Suede's most popular track by far, which has 16 million streams (its popularity during the Britpop era, I for instance heard it once being played in a pub along with other well-known tracks by a 21-year-old bartender, showing it is still known to some younger music listeners)...

This means this track pays them the average U
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YOUTUBE
You need over 4 million plays



The Suede YouTube Channel has seen a huge proliferation of videos, including Audio Only videos, Live Performances and for their most recent album "Track by Track" videos.

THE CALCULATOR
Suede's biggest hit comes up as bringing 64,000 dollars
However, that is only due to it being to popular recognition before.
They rely on that and their original audience buying vinyl, merchandise
Plus, Brett Anderson gets even more revenue due to his solo catalogue and recently publishing a memoir up the point of Suede's formation and success.

For example, Suede's newest album, the most-streamed song, Outsiders, has in the course of just over two years won them this amount:



David Bowie, an artist of much higher statue:


Rihanna, with her single being one of the most popular songs of the year:


As one can see, it is never older songs that are top on streaming, it will always be the last four to five years in competition with each other. So Chris Anderson's Long Tail theory and Simon Reynolds's theory of music audiences being more and more does not apply to revenue on a mass, global scale. This could also be evident of how older audiences still use vinyl and CD much more, and how in the course of the next 30-40 years that could potentially die out:

Wiki

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Saturday, 31 March 2018

MVid - Rough Cut 5

Some layering added, and more performance shots:


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WEBSITE Draft 2








Rough Cut 4 Feedback

YEAR 8 STUDENTS (12-13 years old, male + female):
Didn't think it was for their age range.
Some thought the acting at the beginning wasn't that convincing
One was very positive ("Holy moly it was amazing"), thought it was a real music video, verisimilitude achieved for her




Thursday, 29 March 2018

Rough Cut 4

Still some refining to do. The later scenes (two narrative scenes, lead singer interaction with narrative character and diegetic outro don't fit so far). I will need to do a quick assessment whether I can still fit any of this in:



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DIGIPAK - Text

FRONT
FEAT. 4 NEW TRACKS + 1 COVER



BACK
TRACK LISTING
CRACK IN THE UNION JACK
HARMONY'S BORING
MONEY
DRIVE-IN-SATURDAY
SNOWBLIND
THE BIG TIME
CAN'T GET ENOUGH
PICNIC BY THE MOTORWAY
SADIE
GRAFFITI WOMEN
DIGGING A HOLE
ATTITUDE
WALKING THROUGH ANARCHY
CAN YOU SMELL THEM?
EUROPE IS OUR PLAYGROUND
KELSEY

www.suedelands.com
www.suedeshop.com
facebook.com/SuedeLands
twitter.com/SuedeLands
instagram.com/SuedeLands
facebook.com/groups/THE.INSATIABLE.ONES

photography + design by richard dannenberg

   
©&℗ 2018 SUEDE LTD. UNDER EXCLUSIVE LICENSE 
TO WARNER MUSIC UK LTD. ALL RIGHTS RESERVED. 
UNAUTHORISED REPRODUCTION, COPYING, HIRING, LENDING, PUBLIC PERFORMANCE OR BROADCASTING PROHIBITED. MADE IN THE EU.

SPINE
0130649716680
SUEDE
SADIE









Wednesday, 28 March 2018

FCPX - Issues

RELINKING MISSING FILES
In the past when files have been missing, 

LIBRARY DAMAGED

After quitting several times and trying to relink files, the libary for my main music video project said it was likely damaged, so it created a backup:

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WEBSITE RESEARCH: Original Artist

POSSIBLE POINTS OF INFLUENCE:
  • Make my website more attractive to a 15-25 audience
  • In the social media, address the fans as "Our Insatiable Ones"


BRANDING
With the special edition release of their eponymous debut albumSuede, their website has been rebranded with the album artwork., replacing the design template of their last studio album release, Night Thoughts.


Last website design
...


Current design

The cover has been filtered in black and white, but still keeping the dream-like quality (Uses and Gratifications, Escapism) ...


OVERALL KEY RECURRENT DESIGN FEATURES 
COLOUR: Black and white
SHAPES: 
IMAGES: 

LIKELY TARGET AUDIENCE/S; MODE OF ADDRESS 
Restrained used of social media, slightly older audience


LANDING PAGE 
...


Detail explaining all the contents of the special


...


HOMEPAGE LAYOUT  


TOP FRAME/BANNER 
....


NAME/LOGO 
....

PAGES/TOP LINKS LIST 
Instead of at the top of the page as the term suggests, the links are on both sides, three left on two:

These include:

  • LIVE DATES
  • LINKS
  • STORE
  • DISCOGRAPHY
  • VIDEOS



AUTO-SCROLLING GALLERIES? 
...

MERCHANDISE/SHOP 
As is conventional, while you can see the newest releases on the website, you have to click on to a link to another site to access the full store:

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...

E-COMMERCE 
...

PRESENCE OF MUSIC 
PUSHING THE NEW RELEASE




No links 

TOUR DATES


GALLERY?


PERSONAL INFORMATION? 


LINKS 
First three are to two fan sites
The name: "Insatiable Ones", it is not uncommon for fans to call themselves a name, like "Little Monsters" with Lady Gaga. It is quite fitting as it gives the image of fans who can't get enough (pun intended).


ARCHIVE? 


GAMES? 


NEWS


LANGUAGE:
"Store" instead of Merch

MEMBERSHIP/SIGN-UP? 


VIDEO/VINES 


SOCIAL MEDIA 
The Big Three on their own, the icons disappear just like the main link:

FACEBOOK:
Cropped.




TWITTER:
With the timeline photo being wider and thinner, the image has been cropped even more.




INSTAGRAM:
Hasn't being updated:

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OTHER EXTERNAL AGENCIES 
...

FONTS + FONT VARIATION 
...

BEST + WORST FEATURES 
...

FAULTY/OUT-DATED CONTENT? 
Some elements still haven't been quite updated to the new release.

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Sunday, 25 March 2018

WEBSITE: General Examples

POSSIBLE POINTS OF INFLUENCE






BRANDING 
Often the newest release will be pushed in order 





OVERALL KEY RECURRENT DESIGN FEATURES 
COLOUR: The colour of the 
SHAPES: 
IMAGES: 

LIKELY TARGET AUDIENCE/S; MODE OF ADDRESS 
The mode of address will reflect the target audience

LANDING PAGE 
It can vary whether you have a landing page 
For instance, with Lana Del Rey, the text starts appearing one by one:
First in the centre (following the Rule Of Thirds) the cover, then the artist name and the album title. You then have two options as hyperlinks, either listen to the newest album or go on to the website:

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HOMEPAGE LAYOUT  


TOP FRAME/BANNER 
....


NAME/LOGO 
....

PAGES/TOP LINKS LIST 


AUTO-SCROLLING GALLERIES? 


PAGE TYPE: MERCHANDISE/SHOP 


E-COMMERCE 
...

PRESENCE OF MUSIC 
...

TOUR DATES

GALLERY?
You will often have a gallery of images of the artist

PERSONAL INFORMATION? 


CONTACTS/ACT LINKS? 


ARCHIVE? 


GAMES? 


NEWS


LANGUAGE:
...

MEMBERSHIP/SIGN-UP? 


VIDEO/VINES 


SOCIAL MEDIA 


OTHER EXTERNAL AGENCIES 
...

FONTS + FONT VARIATION 
...

BEST + WORST FEATURES 
...

FAULTY/OUT-DATED CONTENT? 
Some mistake with the title for tours

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