Showing posts with label David Bowie. Show all posts
Showing posts with label David Bowie. Show all posts

Tuesday, 6 March 2018

DISTRIBUTION: Music Video Age Ratings

WHAT I ENDED UP APPLYING:
  • ...


POSSIBLE POINTS OF INFLUENCE:

  • Due to the school context of my production I would never include extreme violence or sexuality (limit of creativity), however there are some hints of it, very subtle.
  • I had hoped to include some Heterosexual Female Gaze/Homosexual Male Gaze with ripped shirts, however only my original performer for Brett Anderson was alright with this, my replacement wasn't, plus the weather would have made it very difficult to film.


EXAMPLES FROM MY ARTIST
ANIMAL NITRATE
Was apparently banned for depicting two men kissing, however that didn't let its stop becoming the first winner of the Euro Video Song Contest.
From the wiki:
The band caused some controversy with the video when it was banned for its depiction of two men engaging in a kiss.[citation needed]





WE ARE THE PIGS
Featuring Dystopian themes, following a loose narrative of violent anarchy, with the artists also framed and edited in a horror-like manner, and including a baby left in distress on a rubbish dump.



From the wiki entry:

The video, directed by David and Raphael Vital-Durand, features a grim, Nineteen Eighty-Four-like setting. It was initially banned by some TV stations including MTV for being too violent. The video features car burnings, cross burnings, and various violence to humans.
The banning of MTV affects the promotion of the artist. So just like the darker theme of the music saw them pushed down the charts, the visual imagery of this video also meant they were prevented from further coverage, especially in the USA (where a legal dispute with an artist of the same name hadn't helped either)


NIGHT THOUGHTS
Instead of a few music videos, a filmic representation of the whole album.



As a full feature film, it has its own BBFC entry:
The issues raised were moderate violence and sex references, no swearing as the whole film is dubbed with the music.



EXAMPLES OF CENCORSHIP


CLEAN VERSIONS
ROBIN THICKE BLURRED LINES 
PLEASE NOTE: Highly sexually graphic content



They filmed two different versions, this being one where Male Gaze




Here are some examples where censorship has been turned into satire.


...








The German indie band Kraftklub did something similar with their zombie-insipired video Fenster.

Here also there were performance elements of the rest of the band added.








VIOLENCE

MAROON 5 - ANIMALS

From the boyband Maroon 5, their lead singer Adam Levine was a huge sex symbol (Sexiest Man Alive Award). With this video, he is portrayed as a stalker of a typical American blonde woman (played by his girlfriend). This was supposed to give the band a darker edge, however caused huge controvery and the band received flak.

In this article, Guardian columnist Jessica Valenti slammed the video for trivialising the issue of stalking

...

...
I’m sure Levine and his bandmates think they’ve done something edgy here – ooh, so dark! – but there is nothing “alternative” about showing women being stalked, hunted, raped or killed because it’s something that happens every damn day.What’s particularly disturbing about Animals is that the song’s message – that men are “animals” with no self control – implies there is nothing we can do about issues of sexual violence. If sexual predators are “animals”, or “crazy”, than it absolves us of social responsibility ... because you can’t control an animal, amiright? It’s just in their nature. (A fairly insulting vision of male sexuality, I must say.) Maroon 5’s Animals also comes on the heels of a Time article from professional provocateur Camille Paglia, who argued, apparently in all seriousness, that a culture that condones and glamorizes violence against women isn’t the problem - “evil” is. “Young women do not see the animal eyes glowing at them in the dark,” she wrote.



...

DAVID BOWIE - THE NEXT DAY
An interesting comparison case study with the Maroon 5 example. Bowie ever since his landmark Ziggy Stardust persona was known for sexuality in the visualisation of music (using guitars as phallic symbols), however this video is more or less void of sexual content.
It however has similar use of gore as in Maroon 5's video.
It is an critical attack on the Catholic Church, amplifying the anti lyrics (one of Goodwin's six music video conventions) . and representing the priests as a Mafiaso-type organisation in a bar, deconstructing various themes and motifs.

Receiving flak from the Catholic Church (NME report):
Writing in The Telegraph, former Archbishop of Cantebury Lord Carey states that the video is “juvenile” and criticises Bowie for “upsetting people”. “If imitation is the sincerest form of flattery perhaps Christians should not worry too much at such an exploitation of religious imagery,” Carey writes. “I doubt that Bowie would have the courage to use Islamic imagery – I very much doubt it. Frankly, I don’t get offended by such juvenilia – Christians should have the courage to rise above offensive language, although I hope Bowie will recognise that he may be upsetting some people.”
Additionally, the Catholic League, which bills itself as America’s “largest Catholic civil rights organisation”, has taken issue with the video’s overtly religious subject matter – posting a scathing blog post on its website titled “BOWIE’S ‘JESUS’ VIDEO IS A MESS”.
The group’s President Bill Donohue writes: “David Bowie is back, but hopefully not for long. The switch-hitting, bisexual, senior citizen from London has resurfaced, this time playing a Jesus-like character who hangs out in a nightclub dump frequented by priests, cardinals and half-naked women.”
Continuing, Donohue claims that the video is”strewn with characteristic excess” and Bowie himself is described as “nothing if not confused about religion”. Donohue concludes: “In short, the video reflects the artist – it is a mess.”
BAN FROM YOUTUBE:
In a matter of only two hours the video was taken off YouTube and banned. Does this prove that despite freedom of speech, there is still a Christian hegemony in our culture, like in Ireland when Stephen Fry was nearly jailed for comments.
From the wiki:
The video gained wide attention and caused a controversy. It was banned from YouTube just two hours after its release due to "violation of YouTube's Terms of Service."[4][12][13] However, the video returned on the website shortly after its removal, with an age restriction. A YouTube spokeswoman stated: "With the massive volume of videos on our site, sometimes we make the wrong call. When it's brought to our attention that a video has been removed mistakenly, we act quickly to reinstate it."[3][13][14]

Reinstated with an adult-only version:
Reuters News





The video was soon reported and taken off by YouTube, and then later marked Explicit when put back. Why was not similar action undertaken with the outcry reaction to Animals?


CARAVAN PALACE - LONE DIGGER
A video which looks like an innocent animation, but turns very gory, and also has blood splattered on sexualised female bodies. The location is a stripclub, so it is anchored very quickly this is not a child-friendly narrative, however that is something that would quite likely not be noticed by children before the violence starts.



SEXUALITY (+links with gender)
GECKO DRIVE
This video has sex scenes, and in the context of the inhuman characters, bodily fluids, which is something very controversial to show (less so for Sex in the City)

This starts off having this warning, however has not been marked explicit

 


...


MYKKI BLANCO
Guardian article:, where comparisons to several controversies with sexuality including, as well as another landmark drag video, Queen's I Want To Break Free.
Madonna’s BDSM bedroom antics in Justify My Love. Freddie Mercury in drag as a housewife for I Want To Break Free. Too-hot-for-BBC leather daddies in Frankie Goes To Hollywood’s Relax. Pop music has long been a place for subverting sexual norms, not least in videos. But for queer artists in 2016, it feels as if this medium of expression could be under threat.



This rapper argues (with strong language), that LGBT+ videos and art in general is attempting to be silenced through these new age restrictions.
The fact that we’re having such a political conversation over a campy video like Loner, which is as sexual as an evening at a Ringling Brothers Circus, is sad,” Blanco says. “That video is a celebration of kitsch, in many ways turning the pop aesthetic on its head, empowering the LGBTQ [community] through its flamboyance.”
Streaming sites might think that age restrictions are helpful, but acceptance won’t change if some queer art is deemed illicit. Blanco himself vows to make bulgier, queerer visuals in future. “We combat this by saying: ‘F*** you, we will not be silenced,’” he says, “[and] demanding our art not be treated as ‘less than’. We will get there.”

AGE RATING FOR MY VIDEO
My video does not include any extreme levels of sexuality and violence (the former unlike the video of my course mate Evie Gibbons)
There are some small hints of sensuality
The smoking in the video, along with the use of an image on digipak and website and social media would be read as glamorising this lifestyle.






Thursday, 22 February 2018

DIGIPAK - My Influences

not have Suede on it, as they have mostly always done and continue to do so, as well as indie acts Kraftklub, Interpol, Arctic Monkeys (numerous other      artists often also do it later when they have established their image, they can go for more artistic album artwork, Queen did this with Innuendo, Rihanna did it with Anti) Fifth Harmony continue to put themselves on their albums 

REAR COVER
Not have the length and maybe not even have a number, links that they can be played in whatever order like (so that actually is an interesting compromise with streaming culture)

or:
Really divide it like Night Thoughts was, that it has thematic and musical drifts, and thereby have them numbered.

SPINE
For artistic variety have the titles be in different colour and maybe even different case and font, as I have seen in examples like Kate Bush's Aerial.

INSIDE
Have some landscape shots of the city, need to choose what goes outside and inside. Like the landscape shots in Björk's Bastards


SOME FORM OF PROSE OR POETRY
A Sort of prequel and taster like the poem which was also featured in the trailer (could do the same with a trailer of mine). Package
Could also be very unconventional and not have the track listing on the black, and juts this letter

Then the track listing would be inside.


LYRIC BOOKLET
Each song is its own little world, with characters, like the Führerling in Sadie, Beautiful Ones remix bunch of kids? Can't Get Enough Nissi's character Attitude or Duchess the White Made-Up character 
If I can find a song about decadence, the rich, the privileged, and have really shiny photos of buildings like in Kirchberg.
Like George Michael's *Insert title* and David Bowie's Outside, but have the lyrics on the images unlike with George Michael's where they are separated.
Some of these can be gestured as short vids on Instagram and Facebook like Halsey did with Strangers. 
So generally create a fictional illusion, unlike a foreword about the Songs like in Rise Againt's Long Forgotten Songs which maintains the real world behind the songs.
Also have some landscape shots inebetween.
Should I number the pages (like I saw in Caravan's Palace)

Don't have them all vertical, have some horizontal, turned, like in Bowie's Reality, sort of done in Suede's Bloodsports. Don't make it look all neat and orderly, bit chaotic and unsettling for the fictional narrative this album has. 

Instead of having all the lyrics, have excerpts like in Lana Del Rey's Ultraviolence, without the title of the song
Then followed by 

SHOTS
High angles of buildings, to be edited in Photoshop to be cut off. 


FONTS
THE CURRENT SUEDE
Has mostly been used in white, but also in black.
I want to break away from this font, so rebrand it in a way.

ALTERNATIVES
Different simple, slightly non-serif fonts like with Kraftklub.

HONEYBLOOD - BABES NEVER DIE
Squiggly, slightly child-like font.

...













Have all the information that is usually above aside, leaves space for the tracks to go all the way down (Bowie did it with only the barcode with 1.Outside, Yeah Yeah Yeahs did with all the information:






...

Monday, 1 January 2018

MV PLANNING - The protagonist's quirks


Dancing (like Buddha) but mainly like Dave Gahan in Barrel of a Gun
Water bubbles

Dancing at the stones at night (test if night footage is effective, tomorrow), has the same functions as Stone Henge and the Ziggurat. Dance almost in a spiritual way, like summoning this alien invasion (research spiritual dancing).

Notices she is being followed, but takes control of it and lets herself be photographed.

Goes to the campfire and spreads pamphlets (something you could connect with social media). Have simple word or emblem on them. Like: "Rebel" or the name of one of the songs, can then be spread like the 500k bills at the Kraftklub concert.

The normal people behind her bow and sing to lyrics, she is freaked out by them. 

Playing with colourful leaves

Might dream of vandalising art like in Suede's Hit Me video.(in this case just the buckets of paint)

Sunday, 17 December 2017

DIGIPAK #7: David Bowie - Outside

POSSIBLE POINTS OF INFLUENCE:
  • A shorts story to set out the mood
  • The very artistic lyrics 

ACT: David Bowie

FULL TITLE: 1. Outside
YEAR: 1995
TYPE OF ALBUM: 19th studio album (Concept album)
DESIGN: Denovo, David Bowie
PHOTOGRAPHY: John Scarisbrick (Pinterest with early drafts)
GENRE: Industrial rock, Art rock
LABELS: BMG/Arista/RCA (Europe)
                    Virgin (US)

SINGLES:










This Discogs entry provided the most images.


BACKGROUND:

  • This album is similar in its dystopian theme to his 1974 Diamond Dogs
  • Bowie by now had come back to a more creative renaissance, after going for a more mainstream phase in the 1980s, which disappointed the critics and eventually
  • So with this debate of high art vs popular culture in his mind, he created the concept for a concept album which deals with the narrative of the degradation of art 

The whole arty design fits well for the philosophical debate of the degradation of art.

FRONT COVER


BACK COVER






INSIDE
Bowie created a whole world.

BOOKLET
Really creative lyrics: